| 000 | 01523nam a22001817a 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20260326181928.0 | ||
| 008 | 251018b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9789369894628 | ||
| 040 | _ckul | ||
| 082 | _a954.04 DAL.S | ||
| 100 |
_aDalrymple, Sam. _93082 |
||
| 245 |
_aShattered Lands: _bFive Partitions and the Making of Modern Asia |
||
| 260 |
_aNew Delhi: _bFourth Estate, _c2025. |
||
| 300 | _a520p. | ||
| 520 | _aIt’s hard to find a debut work that has been received as highly as Sam Dalrymple’s Shattered Lands: Five Partitions and the Making of Modern Asia. I’ve not seen a review that’s less than laudatory: ‘Sparkling… Stunning achievement… Vivid… Essential and irresistible reading…’ ‘It is astonishing that this story has not been told before.’ My first reaction to a review was ‘This book sounds so awful I might have to read it.’ So I did, and I was right. Sam is the son of William Dalrymple, popular author on all things Indian, Delhi-resident and the bringer of the Literary Festival to India (Jaipur). He’s a good writer; if of a distinctly leftist bent; I’ve read most of his books. Sam describes himself as ‘writer, film-maker and peace activist.’ He spent some time in Afghanistan with Turquoise Mountain Foundation, the taxpayer-funded NGO run by Mrs Rory Stewart; although it’s not known whether he was involved with the farcical initiative of lecturing bemused Afghan women on Marcel Duchamp’s ‘Fountain.’ | ||
| 942 |
_2ddc _cBK |
||
| 999 |
_c752267 _d752267 |
||