000			01538nam a22002177a 4500
003			OSt
005			20250305093559.0
008			250305b |||||||| |||| 00| 0 eng d
020			_a9781032492049
040			_ckul
082			_a708.001 _bPFE
084			_2Colon Classification
100			_4Ed. _aPfefferkorn, Jasmin
245			_aMUSEUMS AS ASSEMBLAGE ANALYSING DYNAMIC MUSEUM PRACTICE
260			_aOxon _bRoutledge _c2024
300			_a115p., _fHB
440			_aMuseums in Focus
520			_aMuseums as Assemblage offers a new way of thinking about the dynamism of art museums. Using the concept of assemblage, this book unpacks relations between visitors, artists, museum staff, and the museum's nonhuman components, providing an analytical framework that celebrates the complexity of museums today. It takes the Museum of Old and New Art (Mona) in Tasmania as its primary case study but situates it in global trends by drawing on a range of examples from art museums across Australia, New Zealand, Europe, and East Asia. It provides insight into how perceptions around engagement are enabled and constrained in the context of different museums and highlights the necessity of an analytical framework that accommodates the complexity and multiplicity of the contemporary museum landscape. With an emphasis on visitor experience and curatorial strategy, the book is valuable for students and researchers in museum studies, art history, curatorial studies, and cultural studies.
650			_2Museums
942			_2ddc _cBK
999			_c746461 _d746461