000			03064nam a2200193 4500
020			_a9780367209452
041			_aEnglish
082			_a791.436 _bCRE/M R4
084			_2Colon Classification
100			_aCreed, Barbara
245			_a Monstrous-Feminine : film, feminism, psychoanalysis
250			_a2nd
260			_aLondon: _bRoutledge, _c2024.
300			_a266p.
500			_aThis is a timely update of a seminal text which re-interprets key films of the horror genre, including Carrie, The Exorcist, The Brood and Psycho. In the first edition, Creed draws on Julia Kristeva's theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed's argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror. This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman - while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane. Barbara Creed's classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory
505			_a Part I. Faces of the monstrous-feminine : abjection and the maternal. Introduction Kristeva, femininity, abjection Horror and the archaic mother : Alien (1979) Woman as possessed monster : The exorcist (1973) Woman as monstrous womb : The brood (1979) Woman as vampire : The hunger (1983) Woman as witch : Carrie (1976) Part II. Medusa's head : psychoanalytic theory and the femme castratrice. Preface 'Little hans' reconsidered : or 'the tale of mother's terrifying widdler' Medusa's head : the Vagina Dentata and Freudian theory The femme castratrice : I spit on your grave (1978), sisters (1973) The castrating mother : Psycho (1960) The Medusa's gaze Part III. Revolt of the monstrous-feminine : embracing the nonhuman. Introduction : women's horror of the new millennium : radical abjection and the nonhuman Coming of age : the monstrous-feminine as Virginal Dentata : Ginger Snaps : (2000), Teeth (2007), Jennifer's Body (2009) The monstrous-feminine as avenging zombie : The girl with all the gifts (2016), The dark (2018), Atlantics (2019) The monstrous-feminine as uncanny creatrix : Splice (2009), Evolution (2015), Border (2018), Little Joe (2019), Titane (2021)
650			_aFilm Criticism
942			_2ddc _cBK
999			_c741081 _d741081