000			01907cam a2200205 i 4500
020			_a9781138636569
082	0	0	_a791.45 ARC
100	1		_aD'Arcy, Geraint,
245	1	0	_aCritical Approaches to TV and Film Set Design _cGeraint D'Arcy.
260			_aNew York: _bRoutledge, _c2019.
300			_a224 p. _billustrations ;
500			_a"A Focal Press book"--Cover.
504			_aIncludes bibliographical references and index.
504			_aIncludes filmographies
505	0		_aCritical underpinnings -- Film, realism and the nineteenth century crisis in Representation -- Television, history, realism -- Architecture and film -- Narrative and film design -- Reading television design through genre and narrative -- Dramatic function in spatial design.
520			_a"The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scene in cinema or simply as 'wallpaper' in television. Critical Approaches to TV and Film Set Design, positions itself from the audience perspective to explore how we watch TV and film, and how set design enhances and influences the viewing experience. By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, Geraint D'Arcy reworks the key concepts of set design. Looking at the impact of production design on how the viewer reads film and television, these updated theories can be applied more flexibly and extensively in academic criticism. D'Arcy creates a new theoretical approach, representing a significant expansion of the field and filling the remaining gaps. This book is ideal for anyone interested in understanding how we can read and interpret design in film and television, and should be the primary point of reference for those studying TV and film set design"--
650		0	_aTelevision
650		0	_aMotion pictures
942			_cBK
999			_c564298 _d564298