000 02675cam a22001934a 4500
020 _a9780861966967 (pbk.)
020 _a0861966961 (pbk.)
082 0 0 _a791.4309 LIG
100 _a Ligensa, Annemone
245 0 0 _aFilm 1900 :
_btechnology, perception, culture /
_cedited by Annemone Ligensa and Klaus Kreimeier.
260 _aNew Burnet, England :
_bJohn Libbey ;
_aBloomington, IN :
_bDistributed in North America by Indiana University Press,
_cc2009.
300 _avi, 250 p. :
_bill., maps ;
504 _aIncludes bibliographical references.
505 0 _aIntroduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
650 0 _aMotion pictures
700 1 _aKreimeier, Klaus.
700 1 _aLigensa, Annemone.
942 _cBK
999 _c563971
_d563971