000 | 02675cam a22001934a 4500 | ||
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020 | _a9780861966967 (pbk.) | ||
020 | _a0861966961 (pbk.) | ||
082 | 0 | 0 | _a791.4309 LIG |
100 | _a Ligensa, Annemone | ||
245 | 0 | 0 |
_aFilm 1900 : _btechnology, perception, culture / _cedited by Annemone Ligensa and Klaus Kreimeier. |
260 |
_aNew Burnet, England : _bJohn Libbey ; _aBloomington, IN : _bDistributed in North America by Indiana University Press, _cc2009. |
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300 |
_avi, 250 p. : _bill., maps ; |
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504 | _aIncludes bibliographical references. | ||
505 | 0 | _aIntroduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz. | |
650 | 0 | _aMotion pictures | |
700 | 1 | _aKreimeier, Klaus. | |
700 | 1 | _aLigensa, Annemone. | |
942 | _cBK | ||
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_c563971 _d563971 |