000 | 03181cam a2200457 i 4500 | ||
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001 | 18551295 | ||
003 | OSt | ||
005 | 20220105042527.0 | ||
008 | 150401s2015 nyu 000 0 eng | ||
010 | _a 2014046826 | ||
020 | _a9781138781115 (hardback) | ||
020 | _z9781315770246 (ebook) | ||
040 |
_aDLC _beng _cDLC _erda _dDLC |
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042 | _apcc | ||
043 | _an-cn--- | ||
050 | 0 | 0 |
_aAM21.A2 _bO63 2015 |
082 | 0 | 0 |
_a069.0971 _223 _bONC.M |
084 |
_aART006000 _aART059000 _aART041000 _2bisacsh |
||
100 | 1 | _aOnciul, Bryony. | |
245 | 1 | 0 |
_aMuseums, heritage and indigenous voice : _bdecolonising engagement / _cBryony Onciul. |
264 | 1 |
_aNew York ; _aLondon : _bRoutledge, _c2015. |
|
300 |
_axiv, 267 pages ; _c24 cm. |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
490 | 0 |
_aRoutledge research in museum studies ; _v10 |
|
520 |
_a"Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "-- _cProvided by publisher. |
||
650 | 0 |
_aMuseums _xSocial aspects _zCanada. |
|
650 | 0 |
_aMuseums and Indians _zCanada. |
|
650 | 0 |
_aMuseums _xPolitical aspects _zCanada. |
|
650 | 0 |
_aEthnological museums and collections _zCanada. |
|
650 | 0 |
_aCultural property _zCanada. |
|
650 | 0 |
_aMuseum exhibits _zCanada. |
|
650 | 7 |
_aART / Collections, Catalogs, Exhibitions / General. _2bisacsh |
|
650 | 7 |
_aART / Museum Studies. _2bisacsh |
|
650 | 7 |
_aART / Native American. _2bisacsh |
|
651 | 0 |
_aCanada _xCultural policy. |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2ddc _cBK |
||
999 |
_c353476 _d353476 |