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The Routledge companion to theatre and performance historiography / edited by Tracy C. Davis and Peter W. Marx

Contributor(s): Material type: TextTextSeries: Routledge companionsPublication details: New York: Routledge, 2021Description: 495pISBN:
  • 9780367524746
  • 9781351271721
Subject(s): DDC classification:
  • 792.09 DAV(CR)
Summary: "The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: 'what is specific to the historiography of the performative?' The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources and creating meaning. Reflecting on issues of recording - from early modern musical scores, through VHS-technology to latest digital procedures - and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally"--
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Holdings
Item type Current library Home library Call number Status Date due Barcode
Book Book Campus Library Kariavattom Campus Library Kariavattom 792.09 ROU.R (Browse shelf(Opens below)) Available UCL33670
Reference Reference Institute of English Closed Reference Institute of English 792.09 DAV(CR) (Browse shelf(Opens below)) Not For Loan ENG15828

Includes bibliographical references and index.

"The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: 'what is specific to the historiography of the performative?' The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources and creating meaning. Reflecting on issues of recording - from early modern musical scores, through VHS-technology to latest digital procedures - and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally"--

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