Screens and veils : Maghrebi women's cinema / Florence Martin.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 9780253356680 (cloth : alk. paper)
- 9780253223418 (pbk. : alk. paper)
- 791.4309 MAR
Item type | Current library | Home library | Call number | Status | Date due | Barcode | |
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Institute of English SAP Collection | Institute of English | 791.4309 MAR (Browse shelf(Opens below)) | Available | ENGDRS1394 |
Includes bibliographical references and index.
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
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