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Contemporary Australian playwriting : re-visioning the nation on the mainstage / Chris Hay, Stephen Carleton.

By: Contributor(s): Material type: TextTextPublisher: Abingdon, Oxon ; New York, NY : Routledge, 2023Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781032008639
  • 9781032008615
Subject(s): Additional physical formats: Online version:: Contemporary Australian playwritingDDC classification:
  • 8AU HAY (TB) 23/eng/20220922
LOC classification:
  • PR9611.52 .H39 2023
Other classification:
Contents:
Introduction: Re-visioning the nation on the mainstage -- Re-visioning the comedy -- "Fuck Western classics" : Anchuli Felicia King and Michelle Law in conversation -- Postmigrant plays in Australia -- "Writing into otherness" : Michele Lee and S. Shakthidharan in conversation -- Re-visioning political theatre and 'Aussie naturalism' -- "We're very anti-politics" : Angela Betzien and Patricia Cornelius in conversation -- Theatre of the anthropocene -- "We're a teenage species" : Andrew Bovell and David Finnigan in conversation -- Re-visioning Landscape from the Regions -- "Sorry about the swearing" : Mary Anne Butler and Angus Cerini in conversation -- Adapt, or else -- "I don't adapt, I write" : Kate Mulvany and Tom Wright in conversation -- Imagined lives -- "You gotta glitter it up" : Tommy Murphy and Alana Valentine in conversation -- Telling stories in person -- "I'm a polite visitor in this world" : Glace Chase and Lally Katz in conversation -- Conclusion: Australian playwriting in lockdown.
Summary: "Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the 21st Century. In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a young First Nations woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the 21st Century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia's leading playwrights have interrogated, problematised and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach to the re-evaluation of the nation that is dramatized in key Australian plays. Each chapter is accompanied by a duologue between two of the playwrights whose work has been analysed, to provide a dual perspective of theory and practice"-- Provided by publisher.
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Item type Current library Home library Collection Call number Status Date due Barcode
Book Book Institute of English Institute of English Text Book 8AU HAY (TB) (Browse shelf(Opens below)) Available ENG16148

Includes bibliographical references and index.

Introduction: Re-visioning the nation on the mainstage -- Re-visioning the comedy -- "Fuck Western classics" : Anchuli Felicia King and Michelle Law in conversation -- Postmigrant plays in Australia -- "Writing into otherness" : Michele Lee and S. Shakthidharan in conversation -- Re-visioning political theatre and 'Aussie naturalism' -- "We're very anti-politics" : Angela Betzien and Patricia Cornelius in conversation -- Theatre of the anthropocene -- "We're a teenage species" : Andrew Bovell and David Finnigan in conversation -- Re-visioning Landscape from the Regions -- "Sorry about the swearing" : Mary Anne Butler and Angus Cerini in conversation -- Adapt, or else -- "I don't adapt, I write" : Kate Mulvany and Tom Wright in conversation -- Imagined lives -- "You gotta glitter it up" : Tommy Murphy and Alana Valentine in conversation -- Telling stories in person -- "I'm a polite visitor in this world" : Glace Chase and Lally Katz in conversation -- Conclusion: Australian playwriting in lockdown.

"Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the 21st Century. In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a young First Nations woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the 21st Century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia's leading playwrights have interrogated, problematised and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach to the re-evaluation of the nation that is dramatized in key Australian plays. Each chapter is accompanied by a duologue between two of the playwrights whose work has been analysed, to provide a dual perspective of theory and practice"-- Provided by publisher.

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