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The Routledge companion to indigenous art histories in the United States and Canada / edited by Heather Igloliorte and Carla Taunton.

Contributor(s): Material type: TextTextDescription: pages cmISBN:
  • 9780367856687
  • 9781032291932
Subject(s): DDC classification:
  • 704.03 23
Contents:
Sovereignty and Futurity -- Kinship, Care, Relationality -- Indigenous Ways of Knowing and Being -- Anti-Colonial Practices -- Stories, Living Knowledges, Continuity and Resurgence.
Summary: "This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodies, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; collaboration, consultation and mentorship"--
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Holdings
Item type Current library Home library Call number Status Date due Barcode
Book Book Centre for Canadian Studies Centre for Canadian Studies 704.03IGL-R (Browse shelf(Opens below)) Available CSL469

Includes bibliographical references and index.

Sovereignty and Futurity -- Kinship, Care, Relationality -- Indigenous Ways of Knowing and Being -- Anti-Colonial Practices -- Stories, Living Knowledges, Continuity and Resurgence.

"This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodies, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; collaboration, consultation and mentorship"--

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