The Twentieth Century Novel: studies in technique/ by Joseph Warren Beach

By:

Beach, Joseph Warren

Material type: Text

TextPublication details: New Delhi: Kalyani Publishers, 1988.Description: 568pISBN:

8170961173

Subject(s):

DDC classification:

808.3 BEA/T

Contents:

pt. I: Preliminaries -- I. Program -- II. Exit author -- III. Psychology: Fielding, Eliot -- IV. Psychology: Meredith -- V. Psychology: Proust -- VI. Philosophy: Hugo -- VII. Philosophy: Wells -- VIII. Hors-d'Ceuvres: Barres, France -- IX. horse-D'Ceuvres: Cabell -- X. Philosophy: Dostoevski -- XI. Philosophy: Zola, Mann --

pt. II:The Dramatic ideal -- XII. Towawrd the well-made novel -- XIII. Dramatic present -- XIV. Dramatic present: Dostoevski -- XV. Dramatic present: Thackeray, Tolstoy -- XVI. Subjective drama: James -- XVII. Point of view: James -- XVIII. Point of view: James and others -- XIX. Point of view: James, Stendhal --

pt. III: The Well-made novel -- XX. Variations: Bennett -- XXI. Variations" Galsworthy -- XXII. Variations: Sigrid Undset -- XXIII. The Unities -- XXIV. Point of view: Hergesheimer -- XXV. The Well-made novel: Sedgwick, Wharton --

pt. IV: Transition -- XXVI. Critique of the well-made novel -- XXVII. The Realist reaction: Dreiser -- XXVIII. The Modernists -- XXIX. Impressionism: Conrad -- XXX. Impressionism: Lawrence -- XXXI. imagism: Dorothy Richardson --

pt. V: Expressionism -- XXXII. post-impressionism: Joyce The Breadthwise cutting -- XXXIII. Discontinuity: Dos Passos Logic and life: Gide -- XXXIV. Counterpoint: Aldous Huxley -- XXXV. Composit views -- XXXVI. Expressionism: Woolf, Frank -- XXXVII. Abstract composition: Dos Passos -- XXXVIII. Abstract composition: Doblin -- XXXIX. Stream-of-consciousness -- XL. The Cult of the simple -- XLI. Recapitulation.

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Holdings
Item type	Current library	Home library	Call number	Status	Date due	Barcode
Book	Study Centre Alappuzha, University of Kerala	Study Centre Alappuzha, University of Kerala	808.3 BEA/T (Browse shelf(Opens below))	Available		USCA2830

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pt. I: Preliminaries --
I. Program --
II. Exit author --
III. Psychology: Fielding, Eliot --
IV. Psychology: Meredith --
V. Psychology: Proust --
VI. Philosophy: Hugo --
VII. Philosophy: Wells --
VIII. Hors-d'Ceuvres: Barres, France --
IX. horse-D'Ceuvres: Cabell --
X. Philosophy: Dostoevski --
XI. Philosophy: Zola, Mann --

pt. II:The Dramatic ideal --
XII. Towawrd the well-made novel --
XIII. Dramatic present --
XIV. Dramatic present: Dostoevski --
XV. Dramatic present: Thackeray, Tolstoy --
XVI. Subjective drama: James --
XVII. Point of view: James --
XVIII. Point of view: James and others --
XIX. Point of view: James, Stendhal --

pt. III: The Well-made novel --
XX. Variations: Bennett --
XXI. Variations" Galsworthy --
XXII. Variations: Sigrid Undset --
XXIII. The Unities --
XXIV. Point of view: Hergesheimer --
XXV. The Well-made novel: Sedgwick, Wharton --

pt. IV: Transition --
XXVI. Critique of the well-made novel --
XXVII. The Realist reaction: Dreiser --
XXVIII. The Modernists --
XXIX. Impressionism: Conrad --
XXX. Impressionism: Lawrence --
XXXI. imagism: Dorothy Richardson --

pt. V: Expressionism --
XXXII. post-impressionism: Joyce The Breadthwise cutting --
XXXIII. Discontinuity: Dos Passos Logic and life: Gide --
XXXIV. Counterpoint: Aldous Huxley --
XXXV. Composit views --
XXXVI. Expressionism: Woolf, Frank --
XXXVII. Abstract composition: Dos Passos --
XXXVIII. Abstract composition: Doblin --
XXXIX. Stream-of-consciousness --
XL. The Cult of the simple --
XLI. Recapitulation.

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