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Affect and literature / edited by Alex Houen, University of Cambridge.

Contributor(s): Material type: TextTextSeries: Cambridge critical conceptsPublication details: United Kingdom: Cambridge University Press, 2020Edition: FirstDescription: 1 online resourceISBN:
  • 9781108339339
Subject(s): DDC classification:
  • 801.92 HOU-A(R)
Summary: "This book considers how Affect, the experience of feeling or emotion, has developed as a critical concept within literary studies in different periods and through a range of approaches. Stretching from the Classical to the Contemporary, the first section of the book, 'Origins', considers the importance of particular areas of philosophy, theory, and criticism that have been important for conceptualizing affect and its relation to literature, including ancient Greek and Roman philosophy, eighteenth-century aesthetics, Marxist theory, psychoanalysis, queer theory, and postcolonial theory. The chapters of the second section, 'Developments', correspond to those of the previous section and build on their insights through readings of particular texts. The final 'Applications' section is focused on contemporary and future lines of enquiry and revolves around a particular set of concerns: media and communications, capitalism, and an environment of affective relations that extend to ecology, social crisis, and war"--
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Item type Current library Home library Call number Status Date due Barcode
Reference Reference Institute of English Reference Institute of English 801.92 HOU-A(R) (Browse shelf(Opens below)) Not for loan ENG15726

"This book considers how Affect, the experience of feeling or emotion, has developed as a critical concept within literary studies in different periods and through a range of approaches. Stretching from the Classical to the Contemporary, the first section of the book, 'Origins', considers the importance of particular areas of philosophy, theory, and criticism that have been important for conceptualizing affect and its relation to literature, including ancient Greek and Roman philosophy, eighteenth-century aesthetics, Marxist theory, psychoanalysis, queer theory, and postcolonial theory. The chapters of the second section, 'Developments', correspond to those of the previous section and build on their insights through readings of particular texts. The final 'Applications' section is focused on contemporary and future lines of enquiry and revolves around a particular set of concerns: media and communications, capitalism, and an environment of affective relations that extend to ecology, social crisis, and war"--

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