Filmed thought : cinema as reflective form / Robert B. Pippin.
Material type: TextPublisher: Chicago : The University of Chicago Press, 2020Description: 271 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 9780226671956 (cloth : acidfree paper)
- 9780226672007 (pbk : acidfree paper)
- 791..F430973 PIP 23
- PN1993.5.U6 P53 2020
Item type | Current library | Home library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | Dept. of Communication and Journalism Processing Center | Dept. of Communication and Journalism | 791.30973 PIP.F (Browse shelf(Opens below)) | Available | DCJ6479 |
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Includes bibliographical references and index.
Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers.
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