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Filmed thought : cinema as reflective form / Robert B. Pippin.

By: Material type: TextTextPublisher: Chicago : The University of Chicago Press, 2020Description: 271 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780226671956 (cloth : acidfree paper)
  • 9780226672007 (pbk : acidfree paper)
Subject(s): DDC classification:
  • 791..F430973 PIP 23
LOC classification:
  • PN1993.5.U6 P53 2020
Contents:
Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers.
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Holdings
Item type Current library Home library Call number Status Date due Barcode
Book Book Dept. of Communication and Journalism Processing Center Dept. of Communication and Journalism 791.30973 PIP.F (Browse shelf(Opens below)) Available DCJ6479

Includes bibliographical references and index.

Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers.

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