Voice as art : (Record no. 663509)
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000 -LEADER | |
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fixed length control field | 01919cam a22001818i 4500 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9780367367510 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9781032225630 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 302.23 COU (CR) |
Edition number | 23 |
100 1# - MAIN ENTRY--AUTHOR NAME | |
Personal name | Couzins, Richard, |
245 10 - TITLE STATEMENT | |
Title | Voice as art : |
Sub Title | from theatre to forensics / |
Statement of responsibility, etc | Richard Couzins. |
250 ## - EDITION STATEMENT | |
Edition statement | First Edition. |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | pages cm. |
490 0# - SERIES STATEMENT | |
Series statement | Routledge voice studies |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc | Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. | |
Summary, etc | "Voice as Art considers how artists have used human voices, since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff, and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group Elizabeth Price the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques, and embodied listening. This book gives artists, researchers, and art audiences ways to understand how voices exist in between theoretical discourses and how with their utterance's artists create new dispositions in space by reworking genres to critique cultural form and meaning. It will be of great interest to students and practitioners of sound art, visual culture and theatre and performance"-- |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical Term | Voice in art. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Book |
Withdrawn status | Lost status | Damaged status | Not for loan | Home Library | Current Location | Shelving location | Date acquired | Full call number | Accession Number | Price effective from | Koha item type |
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Institute of English | Institute of English | Closed Reference | 14/11/2022 | 302.23 COU (CR) | ENG15978 | 14/11/2022 | Reference |