MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02698cam a22003978i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
21013316 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220104235842.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190611s2019 nyu b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2019012535 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781350068810 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781350068841 |
| Qualifying information |
(pdf) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781350068834 |
| Qualifying information |
(epub) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1707 |
| Item number |
.V38 2019 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
808.2 VAU.T |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Vaughan, Megan, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Theatre blogging : |
| Remainder of title |
the emergence of a critical culture / |
| Statement of responsibility, etc. |
Megan Vaughan. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Theater blogging |
| 263 ## - PROJECTED PUBLICATION DATE |
|---|
| Projected publication date |
1910 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Metheun Drama, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2019. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
pages cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
History and practice. Introduction -- Theatre blogging since 2003: a history -- Theatre blogging in practice: a WhatsApp dialogue -- Theatre blogging under threat -- Selected posts. A note on the texts -- Theatremaking and authorship -- Anger and dissent -- Reviews and reviewing -- Representation and visilibity -- On My name Is Rachel Corrie -- On Three kingdoms. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Megan Vaughan contextualises the key debates and writings of more than forty bloggers with current research, and brings past and present practitioners into conversation with one another. The work of prominent and influential early adopters such as Encore Theatre Magazine and Chris Goode in London; George Hunka and Isaac Butler in New York; Jill Dolan at Princeton University and Alison Croggon in Melbourne is featured and considered alongside those who followed them. Vaughan presents arguments that have impacted on both arts journalism and the theatre industry. The book also includes: activist bloggers writing about fringe working conditions and diverse casting,explorations of new dramaturgical practices that have been developed and piloted by bloggers,a rigorous assessment of the institutional changes - in theatre, in academia, and for newspapers - which have been attributed to bloggers since their emergence. Vaughan concludes by posing two key questions: to what extent have theatre bloggers established a new critical culture? Has the potential of the form been realised?"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Theater |
| General subdivision |
Blogs. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Dramatic criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Theater and social media. |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |
